Arcimboldo's famous seventeenth-century Mannerist portraits, in which the sitter's face is composed of vegetables and fruit, suggest how – in subordinating a mixture of elements into an unrelated whole – the imagination can translate and transform the medium of expression itself. Tim Liardet's  Arcimboldo's Bulldog: New and Selected Poems, which draws on his ten award-winning collections and adds new elements – fresh produce – reconfigures his life's work to date and draws it into a new, eloquent whole. At the heart of the book readers will find material from his two T. S. Eliot Prize-shortlisted collections  The Blood Choir (2006), written while he was teaching in a young offenders' high security prison, and  The World Before Snow (2015), exploring in formally challenging terms the obsessive love story between an American and an English poet. Each poem deploys a forensic precision: vivid images, large abstractions, symbols, allegory, elegy, provocation, confession and lyric all find their necessary place in his work.  Arcimboldo's Bulldog is a record of achievement and includes a promissory note towards Liardet's eleventh collection.